Tag Archives: Gender

The World According to Black Women Photographers

The book’s 100 photographers range from 13 to 91 with work across genres. “What I love about this is that midcareer and emerging women are highlighted,” Ms. Barrayan said. She met the youngest photographer, 13-year-old Fanta Diop, at the Bronx Documentary Center where she is a member of the Bronx Junior Photo League. She met the oldest, 91-year-old Mildred Harris Jackson, through Karen Taylor, the founder of While We Are Still Here, a historic preservation group devoted to Harlem’s famed Sugar Hill neighborhood, which has been home to many cultural and political luminaries. Armed with a Brownie that was given to her as a Christmas present, she documented her family and neighborhood from her teenage years through her mid-30s.

Source: The World According to Black Women Photographers


From Penelope to Pussyhats, The Ancient Origins of Feminist Craftivism | Literary Hub

The pussyhat is part of a larger contemporary phenomenon known as Craftivism, which actively challenges the longstanding disparagement of women’s traditional art forms and has itself become a vehicle for feminist opposition. Craftivists run the gamut from hobbyist cross-stitchers urging us to “smash the patriarchy” to professional artists devoting painstaking hours to gallery exhibits. The Craftivist movement inherits a long tradition stretching back to the earliest history and literature of the West: Greco-Roman writers showed again and again how feminine art forms, particularly spinning and weaving, both segregated and subordinated women while also offering them an avenue for resistance.

Source: From Penelope to Pussyhats, The Ancient Origins of Feminist Craftivism | Literary Hub

Robert Capa and Gerda Taro: Partners in Love and Photography – Guernica

Capa and Taro traveled and worked as equals, their visions so aligned that they sometimes took the same shot. Though Taro often worked in Capa’s shadow, she cast a shadow of her own, and made a name for herself independent of her partner’s. Of the two, Capa always had the bigger name and more unmistakable eye; his maxim, “If your pictures aren’t good enough, you’re not close enough,” has guided many a photographer who followed him. For his iconic images—among them, The Fallen Soldier, picturing a soldier in the instant of death, his body accepting a bullet—the British magazine Picture Post anointed Capa “the greatest war photographer in the world” at the green age of twenty-five. But though his partnership with Taro was central to Capa’s work, she is often treated as little more than a footnote to his biography.In Eyes of the World, just released from Henry Holt, authors Marina Budhos and Marc Aronson seek to right this imbalance.

Source: Robert Capa and Gerda Taro: Partners in Love and Photography – Guernica