Kenny lives with agoraphobia, an anxiety condition that causes individuals to avoid venturing into crowded or remote places, for fear of having a panic attack and being unable to escape or find help. For some, at its worst, this can mean a fear of leaving home. To counter this, Kenny roams the globe via Google Street View, and virtually combs streets and landscapes to snap screenshots for her photography series “Agoraphobic Traveller.”
In some 26,000 screenshots and counting, she’s caught unsuspecting subjects—from a young couple kissing on a curb in Chile to three camels crossing an empty highway in United Arab Emirates—through her unlikely lens.
Who am I – Uncertain Identity
Kashmir is often seen by many as a territorial dispute between South Asian nuclear rivals: India and Pakistan. But in the last 28 years, the humanitarian cost of the conflict has been extreme. Tens of thousands of people have died, thousands have been orphaned and around 8,000 people are missing. Sharafat shot these photographs in different areas of Kashmir over recent years. During this time, Kashmir witnessed some of the deadliest anti-India protests in the history of 28 years of the conflict. More than 100 children and teenagers died during 2016 alone. Sharafat’s work deals with conflict, politics, faith and daily life in the region.
The photograph of Robert’s that was a significant turning point for me is “Canal Street—New Orleans.” This image had always puzzled me, as if it were saying, “See this undifferentiated mass of pedestrians? It’s worthy of an image.” But why? I asked myself dozens of times as I paged through “The Americans.” Why did Robert make this photograph? What was he thinking? Why did he use it in the book when it seems so generalized? Over time, I came to realize that the reasons for making a photograph and what it may mean to you later are two different things, and what it means to somebody else is yet another. This image came to life for me years after I first puzzled about it, when I was undertaking a transformation in my own work and realized that Robert had planted a seed that was then sprouting.—Joel Meyerowitz